Geraldo's employment choice deeply affects his living situation in the work "Geraldo no last name" can be seen here,
Sandra Cisneros's The House on Mango Street contains forty-four sketches, one of which is "Geraldo No Last Name" (1984).
“Geraldo No Last Name” is centered on the human tragedy of the illegal worker, who is faced with the dilemma of staying anonymous to survive. In the story, the lives of Marin and Geraldo are only touched by chance when they happen to be in the same dance hall together. He is seemingly afraid to reveal much more about himself than his first name.
Despite Geraldo telling Marin that he worked in a restaurant, Marin has no idea what the restaurant's name was an indication that he did not tell her much about the place he worked. This brings out how his employment affects his living situation.
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