In the introduction to the first movement of the symphonie fantastique, what does the violin melody represent?

French composer Hector Berlioz fell in love with an Irish actress named Harriet Smithson. In order to get her attention, he wrote a symphony for her, and he called it Symphonie fantastique.

The story Berlioz wrote to accompany the piece is creepy. it's approximately a younger man, an artist, in love with a girl. the man is obsessed with her and more and more loses his thoughts, and eventually, he poisons himself however things simply get weirder.
"the author imagines that a younger musician, bothered with the aid of the illness of spirit which a well-known writer has referred to as the vagueness of passions, sees for the primary time a woman who unites all the charms of the perfect individual his imagination turned into dreaming of, and falls desperately in love along with her. with the aid of a bizarre anomaly, the liked picture in no way gives itself to the artist's thoughts without being associated with a musical idea, in which he acknowledges a certain best of passion, however endowed with the the Aristocracy and shyness which he credit to the item of his love.
"This melodic picture and its version preserve haunting him often like a double identifyee fixe. This explains the regular recurrence in all of the moves of the symphony of the melody which launches the primary allegro. The transitions from this nation of dreamy depression, interrupted by occasional upsurges of aimless pleasure, to delirious ardour, with its outbursts of fury and jealousy, its returns of tenderness, its tears, its spiritual consolations — all this bureaucracy the concern of the primary movement. "in the second movement, Berlioz writes a decorative and grand waltz. The placing is a grand.
Leonard Bernstein stated, "you can turn out to be a apprehensive damage gambling this symphony; however then, that's what it is: a portrait of a anxious damage." ball, and absolutely everyone is whirling across the dance ground.

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