Which of the following best summarizes the central idea of paragraph 14?

In none of these was the house filled with shadows, the weather dull and stormy throughout, the moor windswept, and the doors creaky. In fact, it is important in a story with sinister implications to use counterpoint, great contrast between situation and background, as we did in Rope.

A. The setting of a film should not necessarily be ominous when there is a criminal element involved.

B. Creating a convincing setting requires implementing several visual techniques to achieve a sense of tension.

C. The setting of a film must provide the same menacing quality that the criminal shows in order to create tension.

D. Creating tension does not require a change of location between two scenes in a film.